God is sending us a message, you know, and it’s it’s a fascinating one-two punch we’ve had so far.
The Lord knows where we’re headed, and only God knows where we’re headed.
So, we’re being forced to deal with powers higher than ourselves, whether we like it or not.
We we better open our eyes and look at the reality of what’s going on.
This is >> Amen.
>> It’s not a joke.
and a really nice actor called Michael Murphy.
>> And uh I I guess he’s still around.
I don’t know.
>> I haven’t seen him in a while, but he was great.
You know, he’d done some Woody Allen films.
>> And uh he was a a really super nice guy and uh very affable and friendly and and great to work with and he was like uh I was say I was trying I was contemplating, you know, going over there.
I mean, I think I’d already been there.
And I said to him, “So, tell me about, you know, should I, you know, if I want to act over there, should I go to New York or or Los Angeles?” And he said, >> he thought about it for a minute and he looked at me and he was older than I was and he’d been around and he said, “Go to New York”.
And I said, “Why?” And he said, “Oh”.
He said, “Well, you know, New York’s a kind of a tough place”.
He said, “You know, the worst thing that’s going to happen to you there is you’re going to get mugged in Central Park”.
>> Yeah.
I said, ‘Okay, I’ll stay out of Central Park.
And he said, ‘Well, I said, ‘Why why wouldn’t you want me to go? He says, Los Angeles.
He says, how should I put this? He says, in New York, you might get mugged or you know, it’s they’ll say f you or you know, whatever.
But >> in Los Angeles, I it’s kind of like they want to sacrifice you.
>> And I said, whoa.
It sort of blew my mind that he said that.
I said, what do you mean? And he said historic miniature.
>> He said, “You’ll find out if you go [laughter] there”.
I’m like, “What?” >> It’s like such a weird kind of uh weird.
>> I’ll be in Central Park, please.
>> Yeah.
And he he said it and and he laughed about it when he said you they kind of want to sacrifice you.
And I had this notion that he had been there >> and had been on the chopping block or, you know, I don’t know.
It was it was a it was a weird kind of thing.
Denzel Washington and Mel Gibson just sent a warning about Hollywood that the internet cannot stop pulling apart.
Two of the most respected names in the history of American cinema.
Both of them pointing at the same thing.
>> If you don’t read the newspaper, you’re uninformed.
If you do read it, you’re misinformed.
>> What do you do? >> That’s a great question.
What is the long-term effect of too much information? One of the effects is the need to be first, not even to be true anymore.
Mhm.
>> So what a responsibility you all have to be to tell the truth.
Not just to be first, but to tell the truth.
We live in a society now where it’s just first.
Who cares? Get it out there.
We don’t care who it hurts.
We don’t care who we destroy.
We don’t care if it’s true.
Just say it.
Sell it.
>> Anything you practice, you’ll get good at.
Include including BS.
>> Gibson and Denzel did not stumble into this conversation from the outside.
Both of them attended the same elite Hollywood gatherings for decades.
The Oscars after parties, the private industry events, the invite only rooms where the real business of Hollywood gets handled away from cameras.
The streets are treating that challenge as the most important question surrounding everything Gibson and Denzel have been putting on the record.
Because these are not men reacting to something they rate about online.
They are reacting to something they watched operating in real time for decades from the inside.
>> Everything’s good.
arenas and everything.
Starting to act different, huh? >> You ain’t been calling me and hanging out the way we used to hang out.
>> Well, I mean, you I mean, you tried to get in contact with me, you know, through all my, you know, business, you know, partners and whatnot, >> but you you never really got my number, so >> number said to me, >> take your clothes off.
>> And then I said, no.
And I left.
And they told me they were going to burn all my music.
>> Yes.
What? So I thought that you were going to scare me when I came in.
I don’t know why.
So in your in my dressing room, you have the bathroom with the camera.
So I put towels all over the camera >> and I went and peed in Kobe Bryant’s dressing room >> cuz I was scared.
>> Well, you’re right.
I was trying to scare.
You got here an hour early and I was trying to scare you and it was too.
So it doesn’t matter if you put the the stuff over the cameras.
I had to be in there and you got here before I could get I was going to hide.
See, you were right.
You ruined it.
>> I’m sorry.
>> You ruined it.
>> I’m sorry.
>> Oh, well, that’s okay.
>> Okay, >> I’ll get you.
My pretty.
>> I’ll get you.
>> The last time I saw you was at the teen show.
>> Back in 2003, Denzel Washington walked into one of Diddy’s all night parties with his wife, Hleta, and walked out screaming.
Sources close to that night described Denzel getting in Diddy’s face and telling him directly, “You don’t respect anyone”.
Then he and Petta left.
>> A new exclusive report in US Weekly reveals actor Denzel Washington had a heated confrontation with rapper Shawn Diddy Combmes at an allnight party back in 2003.
Washington reportedly abruptly left with his wife telling Diddy, quote, “You don’t respect anyone”.
This incident has resurfaced amidst Comb’s current legal troubles.
He faces charges of and transportation to engage in prostitution.
>> Nobody fully understood what they saw that night that made Denzel react that way.
The sources who described the confrontation said something happened in those rooms that pushed one of Hollywood’s most composed men to the point of screaming at a man he had been publicly friendly with for years.
That story stayed buried for two decades.
Then Diddy got arrested.
The freakoff tapes surfaced.
And the internet went back to that 2003 confrontation with completely different eyes.
>> Your parties are the hottest ticket around.
>> They won’t even give me a permit for the parties, man.
They don’t want me to throw the parties no more.
But we we ain’t going to stop.
We going to keep on having fun, bringing people together from all walks of life.
You going to hear about my party.
They’re going to be shutting them down.
They going to probably be arresting me, doing all types of crazy things just cuz we want to have a good time.
>> You know, when you when you have a scene like this, you got to bring bosses with you.
As you see, it’s female friendly.
We got a ladies and a female.
She’s butt ball.
Uh that’s what I call it.
Raw dog.
Uh I’m not jumping I’m not jumping t myself.
Uh you know once once everybody gets out, you know, just me and the lady.
This is my thing.
I’m used to this type of thing.
Uh you know, doing what I do best.
>> OH, DID THE CAMERA? CUT THE CAMERA.
CUT THE CAMERA OFF.
Denzel himself has said publicly, “You have to leave Hollywood parties 30 minutes before the devil arrives”.
The streets are not treating that as a casual observation anymore.
They are treating it as a man describing something specific he witnessed from the inside.
>> It’s so funny because Denzel always told me we’d be at the parties, he said, “You leave leave 30 minutes for the devil get there”.
[laughter] >> Okay.
And and and when he would say that, I will always remember that Denzel would leave the parties early >> and I follow Denzel out.
I’m out.
>> You see what I’m saying? Because when you leave 30 minutes for the devil get there, ain’t nothing wrong with going to the parties.
Even Christ party with the sinners.
You know what I mean? >> But when you when you leave 30 minutes for the devil get there, you know, you able to have your integrity.
I meant offscreen.
It’s not what you do on screen.
What you do offcreen is more important.
Mel Gibson connects to this conversation from a different angle, but arrives at the same destination.
Gibson has spent years describing Hollywood as an industry selling perfect heroes in clean redemption stories to a public that has no idea what the people delivering those stories were doing behind closed doors.
He described the machine as something that destroys people from the inside, protecting its most valuable assets while discarding anyone who threatens to expose what those rooms actually look like.
When I came over here, you know, I had a whole bunch of weird, paranoid suspicions about what the hell was going on because there was a lot of stuff I couldn’t understand and nobody was really bothering to explain it to me.
And I formed a bunch of opinions about the town and about the people in it that were like, “Surely that couldn’t be because a whole place can’t be like, you know, weird town, you know, where the stranger wanders in and and all the people are in the bar and they all shut up when he looks at him and >> and they tell you don’t go out of the house on the hill”.
And it’s like that and then you go away and you think, “No, that’s I was wrong.
I mean, that’s insane thinking.
I’m paranoid.
I imagined that stuff.
That couldn’t be the reason for why so and so was acting like could it? And then you find out later on the track that you were exactly on track, that some of your worst nightmares were real.
>> When the Epstein files dropped, everything Gibson had been describing stopped being dismissed as the grievances of a blacklisted director.
the private gatherings, the foundation donor circles, the controlled environments federal prosecutors later described in Diddy’s case invite only rooms, substances flowing, recording equipment running throughout.
Gibson sat with those files and allegedly described watching everything he had been saying for years get validated document by document.
>> But when you give up your manhood, I’ve never seen somebody recover from it.
That was all the people that went to the puffy parties.
That was all the people that did all those things thinking that there was never going to be a consequence for what they were doing.
Got punked out and pimped out by by some over greater desire.
You should have a greater desire than being a man.
So I I believe that’s a big problem with a lot of the actors out there because they get fluid and next thing you know once go fluid you it’s gone.
You don’t have any foundation to pull yourself back from.
So maintain your man card no matter what.
>> The freakoff tapes are the specific thread that connects Denzel’s Tooth 2003 confrontation to everything Gibson has been building publicly since.
Federal prosecutors confirmed Diddy’s properties were rigged with recording equipment from top to bottom.
Devices capturing private activities involving guests who had no idea they were being filmed.
The Sony DVCAM cassettes seized from his Miami mansion are in permanent federal custody.
Court documents confirm they were property used in the same scheme that resulted in his conviction.
>> Yeah, we’ve learned what was seized during these searches.
It was law enforcement sources that told ABC News that during these two court authorized searches, electronic devices were retrieved.
>> The streets are treating those cassettes as the physical documentation of what Denzel walked into that night in 2003.
What he saw in those rooms pushed him to scream at Diddy in front of a room full of people and walk out.
What is on those tapes pushed federal prosecutors to seize and seal them immediately.
The same energy, the same rooms 20 years apart.
>> You’re saying that there’s tapes and they’re being shopped.
>> Yes, there have been people already shopping.
We’ve heard about the tapes, but the the shopping thing is >> Yes, there already have been tapes uh leaking around Hollywood, being shopped around to individuals in Hollywood, but one particular person contacted me to shop a particular video they were in possession of and to contact the person who was in the video to see if they were interested in purchasing the video before it became a public.
>> I’ve heard this before.
So, like a catch and kill.
>> Catch and kill.
Correct.
>> Wow.
Can you and I guess you can’t reveal the person who is on the >> No, I can’t explain who the person was, but Mr. Highle >> Mr. Combmes was in the tape and this other person is I would venture to say more highprofile than Mr. Combmes.
>> Hey, what’s up, King Son? >> Man, you doing it, man.
You deserve it, daddy.
>> You putting in that work.
>> Proud of you.
I love you.
Yeah, >> all the champagne was spiked, son.
Like all the champagne was spiked.
Everybody was passed the out.
I don’t drink.
I don’t drink.
So I was playing that off like I don’t drink.
I smoke.
Like I smoke and I had my own weed, but like everybody was passed out.
Yo, Diddy had that man in the room.
Look.
Yes.
I put my ear to the door and I brought the phone cuz Diddy started going in overdrive.
I ain’t know what the was going on, but I just heard balls slapping against cheeks.
I heard struggling to take.
I heard being like, “Yeah, daddy”.
When I when he start all that, “Daddy this and daddy that”.
And then I heard some holling and struggling like, “Yeah, I kept the phone there and I recorded all this cuz I was like this Diddy Rich”.
So, I’m f to put the squeeze on and get me a couple dollars.
It just ain’t You know what I’m saying? just nobody believed that that was really Diddy beating Meek back in.
BUT NOW, NOW Y’ALL leave the video.
Right.
Right.
Somebody throw me a couple dollars.
>> Diddy and Jay-Z are the names both men’s frameworks keep returning to when describing who operated the entertainment machine’s private layer.
Diddy ran the public base for decades.
The parties, the labels, the cultural influence.
While federal prosecutors describe the real operation running underneath as something significantly darker.
Jay-Z moved alongside him in documented operational proximity for years.
Same events, same private gatherings, same elite circles where phones got collected at the door.
>> What’s that? Is that That’s M King.
feeling marvelous.
You heard? >> You got to get the shoes though.
Y’all know what it is.
comes after our interview with a 38-year-old mother from Alabama who accuses Shawn Diddy Combmes and Shawn Jay-Z Carter of her when she was 13 years old.
She asked us not to reveal her identity.
>> What made you want to come forward? Because I think that I’ve been quiet long enough.
>> Jay-Z’s name surfaced in the Epstein files.
His name appeared in a lawsuit connected to Diddy’s network.
Gibson’s framework places both men inside the same private access points the freakoff tapes document and Denzel stood in one of those rooms in 2003 saw something that made him lose his composure completely and has been leaving coded warnings about Hollywood parties ever since.
>> There’s a saying when the devil ignores you then you know you’re doing something wrong.
Wait a minute.
I’m not done now.
You know the devil goes oh no leave him alone.
Hey, he’s my favorite.
Right.
Right.
Rather him.
>> Yeah.
>> Conversely, when the devil comes at you, >> maybe it’s because you’re trying to do something right and for whatever reason, the devil got a hold of him.
>> Ellen Degenerous enters this conversation through her own documented proximity to the same circles.
She hosted the Oscars.
She moved through every elite Hollywood gathering for two decades.
She called Diddy by private nicknames like Puff Daddy, Shawn Combmes, and sometimes Cuddle McNuggle Stuff, and publicly documented how desperately she wanted access to his parties.
When the freakoff tape started circulating, her name entered that conversation, immediately placed there, not by internet speculation, but by her own documented behavior on national television.
>> So, tell me about your birthday party.
Am I invited? >> Yes.
Yes, you’re definitely invited.
I invite you to all my parties.
You just haven’t seemed to show up today.
>> No.
Well, there is it on the east coast.
>> Yes.
>> Well, that’s why.
Why don’t you have one here on the west coast? Cuz I work all the time.
>> Okay.
Well, I mean, maybe I have one at your house.
>> Where’s [laughter] >> Now, what time would your party start? Let’s say >> like 9:30.
>> Really? That early? >> Yeah.
>> I could make that.
>> Yeah.
>> But I think I could think of you of of starting a party at like midnight.
>> Like what time will it go till? >> That’s a different type of party, though.
>> Uh-huh.
>> Um, no.
It it’ll go from like 9:30 to like maybe 3:00 2 3:00 and then you know we have the top two floors of the hotel and then it will carry on there.
>> Yeah, I guess.
>> Mhm.
>> Then I mean the afterparty.
>> Mhm.
No, I know about them.
>> Gibson’s reaction to Ellen’s specific role in the access pipeline is what generated the most pointed response from him across the entire conversation.
She was the most trusted public face those circles ever had.
19 years of daytime television providing cover for a network that Gibson describes as something the public was never supposed to fully understand.
Denzel left one of Diddy’s parties screaming, Ellen was still begging for invitations.
>> Ellen, were you surprised by the allegations about P.
Diddy? >> Did that surprise you about P.
Diddy? >> Ellen, >> he’s been on your show many times.
>> Have a good night.
>> Have you been to his parties? >> Roseanne Bar and model Gabriella Rico add another layer to what Gibson and Denzel have been describing.
Rico was filmed outside an Oscars party in 2009 screaming about powerful guests involved in consumption rituals happening inside.
The same response the machine applied to Gibson, coordinated dismissal, public discrediting, permanent labeling as unstable got applied to Rico immediately.
Every person who tried to describe what was happening inside those rooms got the same treatment.
Gibson, Roseanne, Rico, Cat Williams, Jaguar Wright, called unstable, called bitter, called conspiracy theorists until Diddy got arrested, until the Epstein files dropped until the cassettes ended up in federal custody.
And then the same public that dismissed every single one of them started going back through every interview, every warning, every moment.
Someone tried to say what they saw in those rooms.
Denzel walked into one of those rooms in 2003 and came out screaming.
He has since told people publicly that you need to leave Hollywood parties 30 minutes before the devil arrives.
Gibson has spent years describing what happens to people who see what Denzel saw and make the mistake of saying it too loudly.
Gibson was blacklisted when he started talking.
Cat Williams was dismissed for years before the arrest started validating what he said.
Jaguar Wright was called unstable before the federal cases confirmed the circles she described.
The people running the machine do not need to silence everyone who talks.
They just need the public to keep dismissing the ones who do.
Denzel screamed at Diddy in 2003 and nobody asked why.
The freakoff tapes sat in federal custody and nobody outside the investigation knew what was on them.
Gibson kept describing the machine and nobody believed him.
Now the cassettes are sealed, the files are public and the 2003 confrontation that everyone filed away as a random celebrity argument is sitting next to 20 years of evidence that tells a very different story.
What exactly did Denzel see in that room that night? And if Gibson recognized the same thing from his own time inside those circles, how much of what both men know has still not made it into any public conversation? Drop your thoughts in the comments.
Hit that like and subscribe and click the next video on your screen right now because Denzel’s 30-minute warning is starting to make a lot more sense.
